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Since the shoot had been delayed a day I spent the majority of my now-empty day editing on a laptop in a cafe, waiting for the call sheet. I was initially told that the studio I was shooting in would have LEDs, light stands, and a backdrop, so I only traveled with my camera, lens, and two strobes (yay for no checked bags). He mentioned that this being the 25th anniversary of the bands’ self-titled debut that it’d be cool to reference the original album cover in some manner.ĭue to the shoot delay and overall last-minute nature of the shoot, every potential assistant that I reached out to was booked, so I would be working solo on the shoot. After describing my concepts he told me that he would be happy with anything I give him and that he just needed one great cover option. When I landed I hopped on a call with Jimmy to discuss shoot details and learned that the shoot had been pushed from Thursday to Friday. I found that the five-hour flight to LA proved to be more than adequate for concepting five scenarios for the photo shoot. That said, having three days to coordinate and concept a shoot on the other side of the country was no short order. So when this opportunity popped up, I was more than just a little excited.
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Though I had been stoked to work alongside my teenage idols in a small way, I was still a bit bummed that I wouldn’t be meeting or photographing the group. The band was planning a private release show for Friday the 13th, in anticipation of the release of their 13th album, The Nothing. My response? “Definitely.”īack in April I was fortunate to have the opportunity to shoot images for their new album. He asked if I would be interested in shooting Korn in LA on Thursday. Among the 70 or so guitars is one signed by Tony Iommi and Ozzy Osbourne from Black Sabbath and starts at $500.Last month when I was on set for the Starset shoot I received a text from my buddy Jimmy, the photo editor at Revolver magazine. Locks from Jimi Hendrix and John Lennon are also on offer. Cobain’s hair isn’t the only hair in the collection. Dre’s The Chronic, The Clash’s Give Em’ Enough Rope and Pink Floyd’s Animals. Other treasures include band-signed copies of Led Zeppelin II, Queen’s self-titled debut, Bob Marley’s Kaya, Dr. The album’s minimum is $5,000 and the Dylan minimum is $15,000. Peppers Lonely Hearts Club Band signed by McCartney, George Harrison and Ringo Starr, and a sheet of handwritten “Blowin’ in the Wind” lyrics signed by Bob Dylan. Tricia Eaton, East Coast consignment director at Iconic Auctions, said the jacket is one of the Beatles’ earliest stage-worn garments ever to come to market and captures the band pivoting from jeans and leather jackets. It was worn onstage over a six-night stand at Bournemouth, England’s Gaumont Theatre in 1963. The item with the highest minimum is a collarless, dark blue jacket custom made for Paul McCartney that starts at $25,000.
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A portion of proceeds will benefit Crew Nation, a relief fund for live music touring and venue crews who are facing hardship due to the coronavirus pandemic. The items are part of a slate of rock items being offered up by Iconic Auction, spanning Elvis to grunge. The auction closes Saturday (May 15).
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